Ever Had Your Work Rejected By A Teacher/Professor/Editor/Publisher? You Have Impressive Members In Your Club
To be an artist or writer means to become intimately, and more often than not, quite frequently, acquainted with rejection. Fortunately, I have become somewhat inured to rejection due to a rigorous immersion in it in middle school. Still, some rejections can sting the most jaded of us, regardless of how many girls laughed at you, or walked away, or looked right through like you were a window pane, or, in more than one instance, feigned a seizure when you asked them to dance. The bottom line is, we’ve all experienced rejection. If you somehow never have, read no further. In fact, get the hell off this blog, Karen Matriccio! And Stephanie Wyler! In fact, everyone at Elwood Junior High’s Homecoming Dance of 1984 (Wait, a homecoming dance in junior high? What exactly were we coming home from? The orthodontist?), get the hell off my blog!
Sorry, my work on my anger issues is a…let’s call it a work in progress.
Anyway, my point is sometimes it’s good to consider some of the many great writers and artists who’ve been slapped down, often repeatedly, by people who seem like, in retrospect, utter fools. I’ve saved you the trouble of scouring Google and compiled a few of my favorites, which I now share with you.
Buckle Up: Next Stop, Rejection
U2 – May, 1978, from RSO records: “We have listened with careful consideration, but feel it is not suitable for us at present.” I love how this letter combs over its cattiness with a patina of British civility. At first, “careful consideration” sounds good; it means they really gave it a lot of thought. But more probably, it means they really, really are thoroughly convinced that U2 sucks.
Kurt Vonnegut – from The Atlantic Monthly: “[your submissions] have drawn commendation although neither one is quite compelling enough for final acceptance.” Ouch. So close. Vonnegut actually loved to collect rejection letters, having received quite a few early on, and had this framed. That’s a confidence we should all aspire to.
That’s Nothing: Read These:
Alice Munro – from Knopf: “As a collection I suppose there is nothing particularly new and exciting here,” writes Editor Judith Jones. Guess again, Edith. Munro is now a Nobel laureate for her work in literature and recipient of the Governor General’s Award, the highest literary honor in Canada.
William Golding – Lord of the Flies rejected 21 times, with one publisher gently calling it, “an absurd and uninteresting fantasy which was rubbish and dull.” While some high school sophomores might be inclined to agree, most of the literary world – eventually – did not.
Stephen King – Ace Publishing rejected Carrie, stating flatly, “We are not interested in science fiction which deals with negative utopias. They do not sell.” Negative Utopias? Did no one at Ace know the word “dystopia”? Definitely a money laundering outfit.I’ll be honest, I have no idea if Ace Publishing even exists any more. I do know that Carrie still manages to sell a few copies every year.
John Cleese – From the BBC’s initial rejection of Fawlty Towers: “I’m afraid I thought this one as dire as its title. It’s a kind of “Prince of Denmark” of the hotel world. A collection of cliches and stock characters which I can’t see being anything but a disaster.” Now bear in mind, John Cleese had already achieved accolades and fame from Monty Python, broadcasted by the BBC. Fawlty Towers is generally regarded as among the greatest sitcoms ever made.
The Beatles– From Decca Records: “Guitar bands are on their way out.” Not so much, it turns out.
The Ultimate Proof No One Is Rejection-Proof
And if that doesn’t lift your spirits, Shakespeare gets on 4 1/2 stars out of 5 on Amazon. Which means, somewhere, there are sizable cohort of people who think Hamlet is crap. And eventless people are in good company. Leo Tolstoy hated Shakespeare, for example.
There are legions more. I would argue, as disparate as the artists are, they have one thing in common: they were all original, and it takes a rare talent indeed to recognize, let alone appreciate, originality when they come across it. Don’t get me wrong: I’m open to the idea that many of my rejections can be chalked up to the fact that what I submitted just wasn’t good enough. Or it may have been fine, but just not to this person’s taste. And remember, their jobs invariably center around rejecting people.
It Takes Different Strokes To Move The World, Yes It Does
And bear in mind, no matter how brilliant you are, not everyone love your work. No one is admired by everyone. Marlon Brando hated The Beatles. Dorothy Parker couldn’t abide Katherine Hepburn’s acting, acidly dismissing her work in one review with the the deathless quip, “She runs the gamut of emotions from A to B.” Oh Dorothy, how we miss you.
So, sure feel bad if you get rejected. give yourself an hour or two, or even a whole day if you need it to feel sorry for yourself and misunderstood in your time, like Van Gogh (oh yeah, we didn’t even get to him!). But get up, and get back to it. I firmly believe art is, as much as anything else, an endurance sport. Here’s to building up all our staminas